But its kookiness has its limits, the humor never gets too adult, and the LEGO table in the cocktail lounge might be a clue about who's largely expected to attend. Frank Baum's story of a tornado trip to Oz, and the journey of discovery through a fantasy land by a plucky young girl, her dog, and three affable figures in search of something they lack. The resulting production, which opened Wednesday, is indeed a very kooky and queer reimagining of L. Their subscribers expect to see A Christmas Carol on the holiday schedule every year, but maybe not so much family-centric fare like The Wizard of Oz during the rest of the year.Īfter learning that it was being helmed by director and choreographer Sam Pinkleton - who choreographed the brilliant Soft Power at the Curran in 2018 and the premiere of the short-lived but critically acclaimed Amelie musical on Broadway and earlier at Berkeley Rep - I assumed, correctly, that we would be getting a less-than-traditional take on the Wizard, Dorothy, and the Munchkins. in the last decade has been much more known for highbrow fare and plays that recently premiered on or off-Broadway, with occasional musicals thrown in - including a stellar revival of Sondheim's A Little Night Music in 2015, and the premiere of the Tales of the City musical in 2011. My first thought when I saw that American Conservatory Theater would be finishing out their somewhat abbreviated 2022/23 season with The Wizard of Oz was "Who is this for, exactly?" A.C.T. A stage-musical version of The Wizard of Oz adapted from the iconic 1939 film starring Judy Garland has just hit A.C.T.'s Toni Rembe Theater, and it's a fun, lightly reimagined romp through familiar material that succeeds in many laughs.
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